JBL 2446H COMPRESSION DRIVER DOWNLOAD

DIY multi way active JBL speakers with bass system Presentation of the current multi way active loudspeaker system with a separate subwoofer system to achieve great bass performance. These drivers have a 4″ diaphragm and a 2″ exit, so they do need some help up top and expected crossover point is between kHz. Discussion on Huge horns and large format compression drivers from JBL karl sartori not verified Permalink. Sick setup you’ve got! The biggest issue is crossing the horn over at 1 kHz and having the 15″ play all the way up, hence why it would be nice to add something like the 10″ Replies to my comment. Had a look at the diaphragm and it’s probably the original back from 94 as some markings on around the voice coil indicates.

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For crossovers, filters etc I will be using miniDSP 4×10 HD and amplification will be a mixture of the Anaview amps I have built and continue to build as well as other things I have sitting around. Notify me when new comments are posted.

Presentation of the current multi way active loudspeaker system with a separate subwoofer system to achieve great bass performance. Although the audio quality compressino stellar as of right now it’s lots of fun to say the least. DIY multi way active JBL speakers with bass system Presentation of the current multi way active loudspeaker system with a separate subwoofer system to achieve great bass performance. Really need to try one of those linear power supplies to see if things improve one of these days and particularly enjoy the character of this horn and if compressioj big Comrpession horns doesn’t pan out I suspect getting another driver and four more A horns, put H in LCR and as rear channels: They will be set up with a pair of H compression drivers.

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Huge horns and large format compression drivers from JBL

The current setup does show a lot of promise though and it’s very dynamic and punchy, just the way I like it! Sick setup you’ve got! MiniDSP is notoriously known to be a noisy culprit and I suspect it’s no different here. That time has finally come — in the form of JBL A horns. Night and day difference and was def worth it. A cheaper option would be Radian’s 4″ aluminum diaphragm which is available through Parts Express.

It works very well, but I think that between and may compresskon the bar even further.

Above the horn and for the ultra high frequencies I’m contemplating something nice from Fostex or using a pair of JBL I’m fortunate enough to own. I’m going to try different things with the enclosure that crosses with the compression driver.

The biggest issue is crossing the horn over at 1 kHz and having the 15″ play all the way up, hence why it would be nice to add compressioh like the 10″ They are heavily damped and it works great for comprfssion, but maybe not so much for the highs? Discussion on Huge horns and large format compression drivers from JBL karl sartori not verified Permalink.

JBL H HF Horn 2″ Throat Compression Driver 8 Ohm | eBay

Rumor has it that these titanium diaphragms have some very fatiguing ringing. Replies to my comment. It’s probably good for the price, and my personal experience with aluminum is good, but I’m very curious to learn the price of Truextent’s new TF diaphragm because as we can see from the spectral decay above, it rids you of most ringing around 10 ocmpression.

Huge horns and large format compression drivers from JBL. 2446b was a huge improvement in the highs compared to doing and up all alone.

D One of these days the whole thing is going outside to be measured and optimized. Build process and information about my DIY bass system comprising compressiln four large top of the line 18″ subwoofers and four 15″ JBL midbass drivers.

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Large format JBL compression drivers and big chunky horns should mean lots of dynamics and fun! Had a look at the diaphragm and it’s probably the original back from 94 as some markings on around the voice coil indicates. Addendum; after some experimentation I solved the noise issues I had, and you can read all about it in the comprehensive miniDSP 4×10 HD review. These drivers have a 4″ diaphragm and a 2″ exit, so they do need some help up top and expected crossover point is between kHz.

These things were built to last and it’s going to be really exciting to see how they fare in terms of sound quality. As I’ve got a very capable bass system that can do 60 Hz and down with authority the plan this far is to utilize a pair of JBL ‘s for midbass and midrange, maybe throw in a H 10″ midrange to avoid early beaming and being able to cross the horns over a little later.

Hope is that some of it may be avoided by crossing them over a little lower and worst case is having to change the diaphragm into very expensive Beryllium or the more affordable and brand new TF from Trueextent.

On that note, let’s talk about the diaphragms’ spectral decay and potential fatigue due to ringing. Unfortunately noise has become an issue due to the high sensitivity of these compression drivers.